SYN VISION Korea Launch Event: Rated as Non-Small Number Alpha, Strategic Cooperation with PrompTale

Seoul, September 28, 2025 - The short drama RWA entertainment platform SYN VISION (New Vision) held its Korean launch event in Cheongdam, Gangnam, Seoul, which is included in the official schedule of KBW (Korea Blockchain Week). Under the spotlight of the industry and capital, SYN VISION announced two key developments: first, it was awarded by the global leading blockchain data and media platform Feixiaohao.ai as an Alpha project; second, it signed a strategic partnership with the AI × Web3 content generation platform PrompTale (which has been selected for the Google for Startups Cloud Program and joined the NVIDIA Inception Program). These two milestone events mark the official convergence of SYN VISION's technological roadmap, commercialization path, and globalization strategy into a “verifiable growth flywheel.”

Replace “narrative” with “verifiable”: The methodology behind Alpha's selection.

The scarcity identified by Alpha's evaluation lies in the “falsifiability of growth potential”: it examines not only the narrative and structural design but also focuses on the real performance and replicability of early samples. The three-day data delivered by SYN VISION during the cold start window of the Telegram Mini App (the collaborative uplift of user acquisition, retention, payment, and duration) provides dual evidence for the model of “short drama assetization”, both externally comparable and internally consistent. This means that the project is not only feasible but also operational—this is a high-weight signal for the evaluation system that judges based on “data-mechanism-scenario”.

From Content to Assets: The “Productization Capability” of Short Drama RWA

Unlike traditional infrastructure or heavy asset-type RWAs, SYN VISION standardizes short dramas, which are a carrier of “light content, high-frequency consumption, and strong social dissemination,” into divisible, traceable, and allocable digital assets, while maintaining a Web2 level experience in the front end (viewing, interaction, top-up) and completing revenue confirmation and distribution in the back end using Web3 methods. This path of “invisible front end and on-chain back end” lowers the cognitive and operational threshold for users, while also providing a sustainable value capture channel for commercialization.

At the press conference, the consensus between industry and capital is: short drama RWA is not about turning financial products into content, but about turning content into assets. When viewing duration, unlocking behavior, social fission, and tokenized rights are linked, users transform from “consumers of content” to “participants in assets.”

AI as productivity, not a gimmick: Collaborative boundaries with PrompTale

The strategic cooperation with PrompTale has enabled the supply side of “short drama RWA” to possess scalable AI productivity:

From planning to production: AIGC participates in theme assessment, script generation, storyboard design, character setting, and multilingual localization, shortening the production cycle and reducing the marginal cost per episode.

From distribution to monetization: AI recommendations and A/B testing drive content placement, combined with the design of rights such as membership, blind boxes, and revenue rights within the platform, forming a closed-loop optimization of “content-data-assets”;

From tools to ecosystem: under the endorsement of the engineering stack and computing power from Google for Startups Cloud / NVIDIA Inception, a stable supply curve is formed to provide underlying support for “high-frequency new products” and “localized production.”

For SYN VISION, AI is no longer a “performative technology” that adds an extra layer of filter, but a definitive lever to reduce content supply costs and improve quality control and delivery efficiency.

Why is South Korea the “first point of origin”?

South Korea is not only a hub for K-pop and short drama content but also a natural testing ground for quickly validating the “content-social media-consumption” linkage efficiency. SYN VISION uses LUXO Cheongdam as an offline anchor and Telegram as an online entry point, connecting local entertainment industrialization capabilities with global distribution channels:

Localization Production: Co-create local original short dramas and interactive series with K-pop producers, deeply integrating “in-drama e-commerce + rights” around stars and IPs;

Cross-language coverage: penetrating the global Korean wave audience through Korean/English/Chinese multilingual links, shortening the translation path for “content going abroad”;

Offline to Online: VVIP private sharing scenarios (directors, artists, KOLs, organizations) reach upstream resources, online conversion is carried out through Mini App, forming a growth closed loop of “public domain traffic - private domain accumulation - assetized compound interest.”

The synchronization of capital and industry: from “transaction story” to “business structure”

Among the 200 VVIP guests (film directors, artists, global KOLs, leading institutions) present, more discussions focused on whether the business structure can support the sustainability of the secondary market. SYN VISION's answer is structural transparency and cash flow self-evidence:

Forming a continuous cash inflow through membership/unlocking/e-commerce/advertising;

Mapping user behavior to on-chain distribution through equity and incentive mechanisms;

Using AI production and global distribution to stabilize content supply and acquire new customers;

Reduce content costs and trial-and-error costs through ecological alliances (such as collaboration with PrompTale).

This recursive structure of “cash flow - distribution - reproduction” determines whether a project can traverse cycles, rather than just “borrowing momentum to amplify” during hot window periods.

Live Sound

SYN VISION spokesperson stated: “What we are doing is not forcing Blockchain into entertainment, but rather using assetization to turn high-quality content into shareable 'productive materials'. When users complete the seamless conversion from viewing to earning in familiar scenarios, short drama RWA will truly have the foundation for mass adoption.”

Investment institution representatives believe: “The dual signal of Feixiaohao Alpha and NVIDIA Inception indicates that this is not a collaboration between two startups, but rather a turning point in the value curve of the cultural industry and the technology industry at the same time.”

Conclusion: Transform “billion entry” into “long-term curve”

Starting from the billion-level entry of Telegram, ensuring stable supply through AI to reduce costs and increase efficiency, and then achieving value distribution and feedback through the RWA mechanism — what was released at the SYN VISION press conference in South Korea is not a “show,” but an executable and verifiable globalization curve.

With the authoritative endorsement of Feixiaohao Alpha and the technological collaboration of PrompTale, SYN VISION is transforming the proposition of “watching dramas means participation, entertainment means profit” from narrative into an industrial process. Next, the project team will rhythmically advance around localized content production, ecological node collaboration, and multi-market compliance, continuously pushing Short Drama RWA from a track hotspot to a long-term asset form aimed at the general public.